A cold wind gusts out of the night and whistles along the battlements of Castle Silverhill. It spatters icy raindrops against the leaded windows and sets them rattling in their casements. Tentacles of grey mist ooze from the moat and drift around the keep, probing the ancient stones for cracks and crevices, openings it can slink through to chill the hearts of those inside.
A movement catches my eye and I turn my attention to the painting I acquired decades ago, a work crafted in oils depicting the entrance to the dungeons.
The brushstrokes move, showing the heavy door to the cells opening and a person of a rather unsavoury nature emerging. Down there, along with the rats and a peculiar luminous fungus, a goblin called Grimmon has made his home.
You know how it is: you pop out to the shops for a loaf of bread and come home to find a goblin has moved into your cellar. Only, in my case, my cellar is less a single, dank room and more a warren of underground chambers, which I like to refer to as the dungeons. A vein on Grimmon’s temple throbs and he clenches his jaw whenever I call them that. He says it makes him sound like a criminal. Well, he might be for all I know.
The view in the painting moves as Grimmon, a great leather-bound volume tucked under his arm, walks to the steps. He wipes the slime from his feet on a mat, not because I asked him to – he’s quick to tell me – but because he doesn’t want to expose the sentient slime to my unwholesome personage. With clean feet he trudges up the seven flights of stone steps to the floor where a dim corridor, ill lit by guttering torches, leads to the studio where I toil. I’m hunched over a board embossed with letters of the alphabet. A glowing flat rectangle of crystal, filled with words, floats before me.
The goblin enters and brushes the wispy hairs of his forelock out of his eyes.
“It is done,” he says. His gaze strays to the painting. But he’s too late. It reverted to a still life of a dead mouse and a wedge of mouldy cheese the moment he entered my studio.
“All of it? The curly bits in the corners too?” I say.
“Yes.”
“Yes, what?”
Grimmon frowns. “Yes, I’m finished.”
“No.” I wag a finger at him. “I thought I told you to address me as Your Magnificence.”
“I didn’t think you were being serious. I mean, what kind of conceited idiot calls himself that?”
He’s nettled me, but I conceal it with a huff which I hope he’ll interpret as me brushing his insult aside because he’s not important enough for me to be concerned about what he thinks.
It’s stalemate and for the space of half a dozen heartbeats we stare at one another.
“Look, do you want to see it or not?” he says at last.
“Oh… um, yes. Please.”
He thumps the book down on my desk and opens it at the page he’s been working on.
And here it is:
Map of Wydoria
This map of Wydoria is designed to be printed on A4 paper, or to be viewed on a screen.
It shows the Land of Wydoria, shut off from the rest of the world by an enchanted Hedge, along with its major towns and cities, and the location of the home of each of the evil rulers of the country, together known as the Consistorium.
Also lookout for the Elvish city of Luillan to the north of the Hedge, and the route Aleihra’s travel-spell took when it started carrying Daphne and the elf from Daphne’s village of Feybridge to Luillan.
As the days grow cooler here in the southern hemisphere, whales are returning to the waters around Cape Town. During the summer months it’s rare to see a whale in these parts, but come autumn their blows are a regular sight off the coast.
I was fascinated to see an unusually shaped whale blow a few days ago. Instead of the normal single jet of what looks like steam erupting from the water, there was a twin, v-shaped jet.
Thanks to the power of google, I’ve learned that this is the blow of a Southern Right whale. Southern Rights average 15m (50 feet) in length and weigh a bathroom-scale-denting 60 tons.
As I stood watching, I saw more and more twin blows in the same area, sometimes more than one at a time, which meant there must have been a whole load of them. They were too far away for me to see their backs when they surfaced, but I felt privileged to have witnessed their blows all the same.
Chronicles of Wydoria progress
While working on the next Chronicles of Wydoria book, Daphne Mayne and the Hounds of Magic, I took some time out to paint a scene where Daphne stands before the Castle of the Consistorium.
I find it helps me focus better on a story when I’ve created some artwork to do with the story or the series. I don’t always put the pictures I create on my website because they are often just quick sketches, but I went the whole hog on this one and created a finished piece.
I use Affinity Photo for my book covers and other artwork (it’s a fraction of the price of Photoshop and it’s a one-off payment rather than Photoshop’s monthly subscription model). There are tons of tutorials and other resources on the web for Affinity Photo too. You can even follow a Photoshop tutorial and, with very little effort, work out how to complete the steps in Affinity Photo.
I’m not affiliated to Serif (the creators of Affinity Photo) in any way and don’t receive anything for promoting them, it’s just that I like the product very much.
Soon I’ll have to get around to adding a dedicated section for Daphne’s world on this site!
I like to think of my computer, my phone or other gadgets as neighbours rather than tools. It’s not that I don’t have neighbours in the more conventional sense, but that I can’t help anthropomorphising them. (I’ve just stopped to think: how far away from where you live do people stop being neighbours? Does it depend on how densely populated the area is in which you live? I could Google it, but it’s more fun to discuss things, so chip in!)
Getting back to my opening sentence, what I mean is: neighbours are people you (hopefully) get on with most of the time, but occasionally get annoyed with when they do something like park in your driveway or leave a pile of rubbish outside their house for the council to pick up, but which ends up strewn across your front lawn because it’s a windy day.
In those circumstances, you either get passive-aggressive and make pointed comments to the cat when your errant neighbour is within earshot, or you confront them directly. (Incidentally, you’ll notice I didn’t say “my cat”. One of my favourite quotes is “Dogs have owners. Cats have staff.”).
The way I approach my computer or phone when it misbehaves is much the same. I either yell at the offending device, or say things like “This thing’s getting old. It’s about time I upgraded.” in the hope that that will encourage it to bend to my will.
So far I have to admit my tactics haven’t been terribly successful, but it usually makes me feel better.
I should make it clear I’m not a Luddite. When technology works well, I’m perfectly happy.
I’ve been a fan of Derek Murphy for a few years now. He offers sound advice for writers and gives a huge amount to the writing community, much of it for free.
Recently he’s been running a free online writing course yet still found time to create a template for plotting and writing novels. He’s made the template available for free in various formats including Scrivener.
Derek’s original Scrivener template is fantastic resource and a wonderful aid to writers as it stands. All I’ve done is make a few modifications and added some extra bits to it, which I hope will make it even easier to use.
Please note my version will only work in Scrivener version 3 which, at the time of writing, is the latest version.
The download is a zip archive which contains two files:
The 24 Chapter Scrivener template (24 Chapter Outline by Derek Murphy.scrivtemplate)
An ebook3 format file (ebook3-with-extra-formatting.scrformat) This is an extra – you don’t need it to use the template. If you choose to use it (see instructions later in this post) it can help you compile a nicely formatted epub3 file.
How to import and use the Scrivener template
To import the template into Scrivener, select File=>New Project… from the menu.
A “Project Templates” dialog pops up. Whenever you create a new project, this is where you choose a template for your project. What we’re going to do is import the template you downloaded.
You can do this even if you don’t plan to start a new book just yet. Just follow the instructions to import the template, then cancel the “Project Templates” dialog.
Click the “Options” button at the bottom left of the dialog and select “Import Templates…”
Navigate to the folder where you downloaded the template 24 Chapter Outline by Derek Murphy.scrivtemplate and click the “Import” button.
Now in the Project Templates dialog box, when you scroll down the list of templates you’ll find one called “24 Chapter Outline by Derek Murphy”.
If you’re not ready to start a new project, click the cancel button. Later, when you want to create a new project, select File=>New Project… from Scrivener’s menu and this template will still be there.
To create a new project from this template, select it then click the “Choose…” button.
Scrivener will ask you to name your new project. Once that’s done, you’ll have a new project you can tinker with to your heart’s content.
How my template differs from Derek’s original
What follows is a list of changes and additions I made to the template. As I said earlier, there is nothing wrong with Derek’s original template so please use that if you prefer. All I’ve done is make it fit the way I like to work.
I moved the “One Page Novel Outline | 25 Chapters | Derek” and “CheatSheet” documents out of the Drafts folder. These are now at the top of the binder and won’t be included in the final document when you compile.
I changed the icons on the Act I, Act IIa, Act IIb and Act III folders and unticked the “Include in Compile” checkbox. These folders won’t appear in your compiled file (epub, docx or whatever). If you do want them to appear then tick the “Include in Compile” checkbox in the inspector.
I changed the chapter documents into folders and created a scene document in each chapter folder. Rather than type a whole chapter into one long document, I like to break my chapters into scenes with a separator between scenes. Different authors favour different scene separators, e.g. an empty line, three (or more) asterisks or a graphic.
I unticked the “Include in Compile” checkbox on Derek’s explanatory documents (i.e. the ones whose names start and end with asterisks – e.g. * Ordinary World *). This means you can leave these documents where they are and they won’t appear in your compiled document (epub, pdf, docx etc).
I added Prologue and Epilogue documents in the appropriate places, just in case your book has them. If you don’t require these then move them to the Trash folder.
I added Front matter and Back matter folders. The Front Matter folder contain a dummy cover image and a title page. You should replace the cover image with your book cover image and edit the Title page to suit yourself. The Back Matter folder contains Derek’s original “Author’s Note” and “About the Author” documents. I added “Did you enjoy this book?” (to ask readers to leave a review) and “Copyright” documents. You need to edit all of these to suit your requirements. Note: The Copyright document has placeholders which will be replaced by actual words in your compiled document. e.g. <$projecttitle> will be replaced by the title of your book. Scrivener gets this from the metadata section of the compile dialog box (click the second icon at the top of the right-hand column of the compile dialog to view or edit the metadata).
I added a Template Sheets folder. This contains a “Character Sheet” which I put together from Derek’s slides and video. (Any mistakes or exclusions in the Character Sheet are mine). To use the Character Sheet template for your own characters, right-click the Characters folder in the Research folder and select Add=>New from Template=>Character Sheet.
I added a Section dividers etc folder which contains an example image you can use to separate scenes when you compile. If you choose to use the ebook3-with-extra-formatting.scrformat file (see the download button at the beginning of this page) it will use the “section-divider” image in this folder to separate the scenes. You can replace this image with your own (make sure you rename your image to “section-divider” once you’ve dragged it into the Section dividers etc folder, or edit the “Scene” section layout in the compile dialog and change name in the “separator between sections” field).
I also added my own “Section type”, “Label” and “Status” stuff. You can modify these to suit yourself. Note: the ebook3-with-extra-formatting.scrformat file (see the download button at the beginning of this page) uses the Section Types in this template. If you add or delete any Section Types then you’ll have to assign section layouts in the compile dialog.
Lastly, I changed the icons on Derek’s Act folders and the explanatory documents to make them stand out. This gives a visual indicator about which documents should not be included in the compile. It should help with navigating the project.
That’s it for the template. You don’t have to use it as is, of course. Change it so that it works for your style of writing.
How to import and use the epub3 format file
When I started using Scrivener the biggest headache was compiling. Over the years I’ve learned how it works and I can now compile epub, mobi, PDF, and Word docs relatively easily. If you struggle with compiling, the ebook format file I’ve included in the download (i.e. ebook3-with-extra-formatting.scrformat) can help. What follows are brief instructions for importing and using the format file. I’ll do a more comprehensive post about how to use Scrivener’s compile feature in another blog post.
To import a format you have to open the compile dialog:
Select File=>Compile (or click the “compile” button on the menu bar)
Click the little cog icon at the bottom left of the compile dialog and select “Import Formats”. Navigate to where you saved the ebook3-with-extra-formatting.scrformat file and click the “Open” button.
When Scrivener asks “Where would you like to import the selected formats?”, choose My Formats.
If you choose “Project Formats” you’ll only be able to use the format in the project that’s currently open in Scrivener. Choosing “My formats” means you’ll be able to use the format in any project, even ones you’ve created previously.
To use the format, select “ePub 3 Ebook (.epub)” at the top of the compile dialog, then select “Ebook3 01” under My Formats in the Formats column. (If you want, you can rename this by right-clicking “Ebook3 01” and selecting “Edit format…”)
If you use this format on a project you have created using the 24 Chapter Outline by Derek Murphy template (from the download at the top of this page), then all the Section Layouts in the middle column of the compile should be correctly assigned. All you need to do is move your mouse over to the third column and edit the metadata by clicking the little “tag” icon (second icon from the left).
It’s important to enter data in at least the top section (title and authors) but you should add as much data as you can. The metadata is stored in epub files and is used by epub readers and other systems to catalogue and organise books in a sensible way.
As an example of how the metadata can be used in your project, if you created the project from the above template then then the copyright document in the project has placeholders (<$projecttitle> for example) which will automatically be filled in with the corresponding metadata when you compile.
Example of how your epub3 will look
Once you click the “compile” the epub Scrivener produces will be formatted similar to the one below:
Sample epub viewed in Calibre’s ebook viewer
What extras are added by the ebook3-with-extra-formatting.scrformat format file?
The section layouts are already assigned which removes the pain of you having to do so. Feel free, of course, if you want to change or edit any of them.
At the top of the page, the chapter number (which is the “Chapter Heading” section layout in the Scrivener project), has a line above and below it.
The scenes are separated by a graphic. This graphic is the image called “section-divider” in the “Section dividers etc” folder. You can replace this graphic with your own. All you have to do is delete the existing “section-divider” image, then drag a suitable image from your Mac or PC into the “Section dividers etc” folder, and rename your new image “section-divider”. If you don’t want an image between scenes then just delete “section-divider” from the “Section dividers etc” folder. When you compile, Scrivener will just put a blank line between the scenes.
Note for Windows users
I don’t have Scrivener 3 for Windows, so I am unable to test this format file in the Scrivener 3 for Windows release version. When I wrote this article, the final release wasn’t available and I could only test on the Scrivener for Windows beta version 3.
On the Windows beta version the results weren’t satisfactory. It put the lower horizontal line – which should have gone under the chapter heading – at the end of the chapter (you can’t see that in the screen grab below because I’ve only grabbed the first page of the chapter).
Sample Windows epub viewed in Calibre’s ebook viewer
The Windows beta version also made the “section-divider” image too large, and rendered the first paragraph in each scene with the setting that should have only applied to the first scene of the chapter, ie:
Uppercase the first three words of a chapter’s opening paragraph and don’t indent it.
Don’t indent the first line of subsequent scenes’ opening paragraphs.
Hopefully, the above issues with the Scrivener for Windows beta 3 have been addressed in the final release. If you’ve tried out my format file in Windows let me know in the comments how you got on.
I hope you find this useful. I know a lot of writers don’t like using Scrivener to compile their books and many turn to other apps to create their final manuscripts. In a future blog post I’ll go deeper into Scrivener’s compile feature with the aim of demystifying it.
This means you can use the ebook3-with-extra-formatting.scrformat file for formatting your own books as much as you like. You can also remix, adapt, and build upon it and give it to others as long as you license your new creation under the identical terms.
